Overall, the sounds conjure up the flavour of the originals very well from clean to fully overdriven and, thanks to the valve circuitry, the dynamic response feels right. Vox's own finest get a look in too with three variations on an AC30, two on the AC15 plus the new AC50CP2. This is especially true of the 22 'song' presets, the majority of which readers of this review will be familiar with.ĭoubling the amount of amp models from these amps' predecessors, Vox has plenty of variety on offer: from a rare Dumble Overdrive Special through the obligatory Fenders and Marshalls, to US and German high-gain metal monsters. Soundsįiring either amp up, the factory-programmed presets provide typically practical sounds to dip into and give a nice overview of just what the VT30 can do. The optional VFS5 footswitch has five switches that can either be used to call up your user presets in channel select mode, or for tap tempo and to turn reverb and effects on and off in both preset and manual modes. Three of the 11 choices are composite effects that combine chorus with delay, compression or a low octave. The two other parameters are adjusted respectively by using the edit knob on its own or with the effect bypass switch held down. The effects are chosen from a single 11-way switch and each has three adjustable parameters.Ī tap switch sets the speed of modulation effects or the time of delays but these can also be adjusted by holding down the tap switch and using the edit knob. These can be used for storing any sound that you create either from scratch in manual mode or by tweaking a factory preset. In addition to preset and manual modes, there is also channel select mode that accesses eight user presets in two banks of four. Pressing the preset mode button scrolls through these colour-coded (green, orange, red) presets that give you the basic amp sound, an effected sound and a sound based on a classic song by a well-known band or guitarist.Īll of the presets can of course be tweaked with the chicken head knobs and by adding/changing effects. There are three categorised factory-programmed preset sounds - basic, effected and song - available for each of the 22 amp models, making for a grand total of 66. The VT30 can be run in manual mode, where the exact position of all the knobs sets the sound that you get, or it can be run in preset mode, where you can call up a whole bunch of ready-made sounds. ![]() The 22 amps are chosen from an 11-way switch with two amps at each position - the 'green' amp or 'red' amp - chosen by a separate button with associated twin colour LED. ![]() This adjusts the output wattage of the power amp without changing the sound meaning you can obtain that distinctive power amp distortion at really low output levels. ![]() Besides the treble, middle and bass controls there's a knob to add reverb independently of the effects selector.Ī gain knob sets the preamp gain of the selected amp and there are two volume knobs: one for the selected amp and one for master volume that adjusts the volume output to the Valve Reactor power stage and, as such, affects the distortion therein.Īll of these controls dial in the sound, but the overall output of the amp is controlled by a power level knob on the rear panel. The chicken head knobs offer control similar to a conventional amp. We get 22 selectable amp models, a choice of 11 effects and independent reverb. Some cosmetics are different - the front panel Valvetronix logo now sits on the shiny metal grille and the top panel now has contrasting white chicken head knobs - but the main changes are under the hood. The VT30 looks pretty smart, and on the whole appears fairly similar to the AD30VT series that it replaces.
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